The article, Ambedkar and the Quest for India's Spiritual Heritage, by Harish S Wankhede, argues that BR Ambedkar's engagement with Buddhism was not merely a spiritual choice — it was a deliberate act of political and historical reclamation. By converting to Buddhism, Ambedkar sought to position Dalits not as subordinates within the Hindu fold, but as the rightful heirs of a pre-Brahmanical civilisation rooted in equality and dignity. Ambedkar imagined the Buddhist era as a "Golden Age" of egalitarianism that predated Brahmanical dominance. His Navayana Buddhism drew from diverse socio-religious traditions to offer Dalits an alternative cultural and intellectual identity — one that didn't seek to reform Hinduism from within, but to bypass it entirely. His 1956 mass conversion at Nagpur, accompanied by 22 vows, was framed as a formal declaration of independence from Hindu orthodoxy. Ambedkar was not alone in this project. Several regional movements shared his visi...
There is a particular kind of exhaustion that no one warns you about. It is not the exhaustion of doing too much. It is the exhaustion of always doing less than you know you are capable of, and knowing, with absolute clarity, exactly why. For over 20 years I have been a creator. A visual artist trained in the discipline, formed by it, living inside it even when life tried to arrange itself around everything else. And for most of those fifty years, I have been swimming upstream, against the current of institutional falling inline, priestly duty, community suspicion, administrative necessity, and the quiet, persistent pressure of people who love you but do not quite understand what it is you are trying to do. This is not a complaint. It is a reckoning. The ancient Chinese called it as rowing against the current. If you stop, you do not stay still. You go backward. The artist who tries to create within an institution, within a vocation, within a web of obligations and relationships a...